Leon Ingulsrud: Actor, Director & Teacher - Explore His Career
Can a single individual truly embody the multifaceted soul of the theatre? Leon Ingulsrud's career, a testament to the power of multidisciplinary artistry, suggests that the answer is a resounding yes. His journey, from the stages of Japan to the heart of New York City, has been a constant exploration of the theatrical landscape, leaving an indelible mark on every project he touches.
Born in Japan in 1964, Ingulsrud's early life was steeped in the cultural tapestry of his birthplace. He spent the formative years of his life there. This upbringing, as the son of Lutheran missionaries, undoubtedly shaped his perspective, fostering a deep appreciation for human connection and storytelling, values that would later define his artistic endeavors. He would later make a significant move in 1993, relocating to New York City, a pivotal moment that opened new avenues and collaborations.
| Full Name: | Leon Ingulsrud |
| Profession: | Multidisciplinary Theatre Actor, Director, Teacher, Writer |
| Birthdate: | 1964 |
| Birthplace: | Japan |
| Education: | University of Minnesota (attended) |
| Former Companies: | Suzuki Company of Toga (Japan), SITI Company (New York) |
| Current Affiliation: | One Year Lease Theater Company (since 2016) |
| Notable Roles: | Dionysus, Ivanov, Hatekon, First Messenger (in The Bacchae) |
| Residencies/Fellowships: | Resident Director at ATM Arts Center (Mito, Japan), 2019 Black Mountain Legacy Fellow (University of North Carolina Asheville) |
| Website (Example): | Leon Ingulsrud - Facebook |
Ingulsrud's journey is not one of linear progression, but rather of constant exploration and reinvention. His artistic evolution is a story of embracing new experiences and skills. Before he fully dedicated himself to the theatre, he briefly attended film school and spent some time at the University of Minnesota. His early immersion in the world of film indicates the multifaceted nature of his artistic interest.
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His return to Japan marked a significant turning point. It was during this period that he joined the prestigious Suzuki Company of Toga in 1987, remaining a member for seven years. This experience proved to be a formative one, imbuing his work with a unique physical and vocal training methodology that would become integral to his craft. His roles during his tenure with the company, including interpretations of Dionysus, Ivanov, and Hatekon, showcase the diversity of his talent and his ability to inhabit complex characters. His roles were not merely performances but a deep dive into the psyche of the characters. This was evident in all his works.
The move to New York City opened another chapter in his career. His association with the SITI Company, a renowned ensemble theater company, became a defining aspect of his creative journey. This affiliation provided him with opportunities to collaborate with other artists, refine his skills, and further develop his vision. The company's performance history includes works such as "Bobrauschenbergamerica", "A Rite", "Falling and Loving", and "The Bacchae" which highlight his versatility as an actor and his commitment to the ensemble ethos.
Beyond his work on stage, Ingulsrud has also demonstrated a commitment to education. He has taught and led workshops across the United States and internationally, sharing his knowledge and experience with aspiring artists. He has also held positions as a guest artist and adjusted faculty member at numerous universities and colleges, including his tenure as the 2019 Black Mountain Legacy Fellow at the University of North Carolina Asheville. This commitment demonstrates his understanding of the importance of nurturing the next generation of theatre artists.
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His presence in the creation of "Hanjo," a play by Yukio Mishima and adapted by the SITI Company, offers additional insight into his creative process. In the autumn of 2017, Ingulsrud, in his capacity as director and translator, documented his experiences with the play through a series of three blog posts titled Hanjo: A Directors Diary. The detailed account of the production process, from the initial concept to its premiere, provides an understanding of the collaborative effort involved and the artistic challenges that the team addressed. "Hanjo" shows the play's intricate layers of adaptation.
Ingulsrud's contributions to the theater extend beyond his acting roles. He served as a resident director at the ATM Arts Center in Mito, Japan, broadening his influence as a mentor and creative force within that setting. The Guthrie Theater's production of "The Bacchae," directed by SITI Company, featured Ingulsrud in the role of First Messenger, further adding to his rich range of roles. This particular production was noted for its compelling adaptation of the Euripides classic, and the casting of the roles helped contribute to the energy on stage.
The ability to move easily between roles as actor, director, teacher, and writer is a hallmark of Ingulsruds career. This multifaceted approach has allowed him to engage with the theatre from all angles, enriching his work and giving his work a distinct perspective. His role in "One Year Lease Theater Company" since 2016 shows his continued enthusiasm for participating in theatre and his ability to evolve.
His career includes an impressive body of work with the Suzuki Company of Toga. He appeared in "Homage to Homo Ludens," "King Lear," "Dionysus," "Macbeth," "Ivanov," and "Greetings from the Edge of the Earth." These performances demonstrate his versatility as an actor and his commitment to challenging theatrical work.
One of the highlights of the SITI Company's final year was a revival of earlier pieces, including the revival of "The Medium," a theatrical meditation on how technology affects reality. Ingulsruds portrayal, with his striking physicality and vocal delivery, is often cited as one of the standout performances. His ability to convey deep emotional connections with the audience and bring the characters to life is evident in his performance.
Ingulsrud's journey has been characterized by a search for innovative methods and techniques. He creates a special experience for the audience, encouraging them to see the theater as a "petri dish" for experimenting with new ideas. His work with SITI Company, directed by Charles L. Mee, takes the audience on a journey through the American landscape. The production demonstrated the ability to reimagine the classics of theatre.
Leon Ingulsrud's career shows the possibilities that emerge when an individual wholeheartedly commits to the creative path. His contributions to the theatre world extend far beyond a simple description of roles. He is an individual whose diverse skills, dedication to ensemble work, and commitment to sharing his knowledge are truly inspiring. His path serves as a testament to the transformative power of art and the importance of artists who have a profound influence on the world.
Leon Ingulsrud SITI Company
Leon Ingulsrud SITI Company
Leon Ingulsrud SITI Company
