Susan Tallman: Art Historian, Critic & Writer - Unveiled
Is it possible for one individual to master the intricacies of art history, the sharpness of criticism, and the elegance of writing, all while navigating the complex landscapes of both Massachusetts and Berlin? Susan Tallman, a name synonymous with insightful analysis and compelling prose, provides a resounding affirmative.
A regular presence in the esteemed New York Review of Books, Tallmans pen dances across the contemporary art scene, illuminating the works of artists and dissecting the cultural undercurrents that shape their creations. Her expertise extends to artists' prints, a field where technical skill and artistic vision converge, and where Tallman offers profound insights. Her recent publications include essays dedicated to the titans of modern art such as Gerhard Richter, whose exploration of ambiguity Tallman astutely observes, Philip Guston, Vija Celmins, and the enigmatic Hilma af Klint. Beyond her critical contributions, her influence ripples through the academic world and the broader cultural conversation, cementing her status as a leading voice in the art world.
| Category | Details |
|---|---|
| Full Name | Susan Tallman |
| Profession | Art Historian, Art Critic, Writer |
| Current Location | Massachusetts and Berlin |
| Key Areas of Expertise | Contemporary Art, Artists' Prints, Art History, Authenticity, Cultural Commentary |
| Notable Publications | Essays on Gerhard Richter, Philip Guston, Vija Celmins, Hilma af Klint, and "Kerry James Marshall: The Complete Prints" (2023) |
| Contributions | Regular Contributor to the New York Review of Books |
| Education | Columbia University in the City of New York |
| Professional Affiliations | 21st Century Museum of Contemporary Art, International Center of Photography & Gttingen |
| Other Notable works | "Art in Print", "The collections of Barbara Bloom" |
| Reference | Susan Tallman's LinkedIn Profile |
Tallman's roots, however, extend beyond the confines of the art world. While her professional life has been dedicated to the study and critique of art, a glimpse into her personal history reveals further complexities. A different Susan Tallman, born into another context, has also left her mark. There is a mention of a "Susan" as the daughter of William Talman and Margaret Louise Larkin Flannigan. This juxtaposition highlights the multifaceted nature of names and the lives they represent, suggesting that Susan Tallman is a moniker that transcends the boundaries of a single individual or profession. In 1963, a William Talman, unrelated to the art world, walked down the aisle, underscoring the widespread and varied use of the surname.
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Beyond the biographical details, it's crucial to note the diverse range of Susan Tallman's professional engagements. She has collaborated with notable institutions such as the 21st Century Museum of Contemporary Art and the International Center of Photography in Gttingen. These collaborations underscore her commitment to fostering dialogue around art and culture through exhibitions and publications. Her work with institutions like the Jordan Schnitzer Family Foundation further demonstrates a sustained engagement with promoting the visual arts.
Furthermore, Tallman's association with the New York Review of Books since 2019 solidifies her prominence as a key voice in the art world. Through her reviews and essays, she engages with a broad audience, providing insightful commentary on a range of artists and artistic themes. Her observations on Vija Celmins, the history of craft, and the "compositional aplomb" of Kerry James Marshall reveal a depth of knowledge and critical acuity.
The publication of "Kerry James Marshall: The Complete Prints" in 2023 stands as a significant achievement in Tallmans career. This book, a comprehensive examination of Marshall's printmaking, undoubtedly solidifies her position as an expert on contemporary art. Through detailed analysis and curatorial rigor, Tallman has contributed to a wider understanding and appreciation of the work of one of the most important contemporary artists. Her insights extend beyond mere description, delving into the nuances of Marshall's artistic practice and the cultural resonance of his work.
The world of art, however, is not the sole domain where the name "Susan Tallman" appears. Des Moines Public Schools announced in a separate instance that a Susan Tallman was appointed as the permanent Chief of Human Resources, a position she had held on an interim basis since August 2019. This highlights a different facet of the name, one focused on leadership and public service within the educational system.
This Susan Tallman, starting her career at DMPS in 1991 as a classroom teacher, served at several elementary schools, demonstrating her commitment to education. Her journey within the Des Moines Public Schools is a testament to her dedication to the community and her ability to assume positions of increasing responsibility. The announcement of her appointment as Chief of Human Resources signifies a recognition of her leadership qualities and contributions to the district.
The landscape of diverse professions extends further with the mention of Susan Carol (Smith) Talman, who passed away in Suwanee on January 7. This highlights the varied application of the name and the different paths individuals take. The memorial service held on January 12, serves as a tribute to her life and legacy, representing the personal impact she had on those around her.
Additional collaborations reveal Susan Tallman's diverse artistic engagements. She has worked with Niels Borch Jensen, Hatje Cantz in 2021 to produce Jim Dine. Alongside this, she has co-edited "The prints of Alison Saar" with Tobias Burg and collaborated with Nancy Doll and Alison Saar, showcasing her broad engagements with a range of artistic endeavors and publications, cementing her position as a major figure in the art world and beyond.
The recurring references to "Join Facebook to connect with Susan Tallman" reflect the increasing integration of social media platforms into contemporary life. It underscores the importance of online communities and their potential in creating connections and fostering dialogue. The phrase "Facebook gives people the power to" serves as an echo of the impact these platforms have on modern society.
Susan Tallman Officially Chief of Human Resources Des Moines Public
Feeling Your Way in the Dark Susan Tallman, Prudence Crowther The
Susan Tallman The New York Review of Books
